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Certain art films have also garnered commercial success, in an industry known for its surrealism or 'fantastical' movies, and successfully combined features of both art and commercial cinema. An early example of this was Bimal Roy's Do Bigha Zamin (1953), which was both a commercial and critical success. The film won the International Prize at the 1954 Cannes Film Festival and paved the way for the Indian New Wave. Hrishikesh Mukherjee, one of Hindi cinema's most successful filmmakers, was named the pioneer of 'middle cinema', and was renowned for making films that reflected the changing middle-class ethos. According to Encyclopædia Britannica, Mukherjee "carved a middle path between the extravagance of mainstream cinema and the stark realism of art cinema". Renowned Filmmaker Basu Chatterjee also built his plots on middle-class lives and directed films like Piya Ka Ghar, Rajnigandha and Ek Ruka Hua Faisla. Another filmmaker to integrate art and commercial cinema was Guru Dutt, whose film Pyaasa (1957) featured in Time magazine's "All-TIME" 100 best movies list. The most recent example of an impeccable art film becoming commercially successful is Harpreet Sandhu's Canadian Punjabi Film Work Weather Wife; it marks the beginning of Cinema in Punjabi Film Industry.
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